93% No

All Critics (87) | Top Critics (30) | Fresh (81) | Rotten (6)

"No" is a picture that perches precariously on the cusp of a paradox.

A cunning and richly enjoyable combination of high-stakes drama and media satire from Chilean director Pablo Larrain.

A mesmerizing, realistic and often hilarious look at the politics of power and the power of ideas ...

A political drama, a personal drama, a sharp-eyed study of how the media manipulate us from all sides, No reels and ricochets with emotional force.

It's a funny look at the way the media warp public opinion, and a curiously hopeful one.

On every level, "No" leaves one with bittersweet feelings about democracy, love and the cost of compromise.

It's clear that the language of advertising has become universal, and that political commodities can be sold like soap. But toppling a dictatorship? Now there's a story.

A reflection of a moment in time, made in the image of that moment.

Bernal deftly explores the layers of the character's complexity, including his political apathy.

"No" is filmmaking of the first order.

Old technology plus the packaging of a revolution add up to a Yes

Freshens up a decades-old story with vibrant humor and a good sense of storytelling.

No continually impresses for its slyness and savvy -- rarely has such an eyesore been so worth watching.

Larrain fashions an unlikely crowd-pleaser from a historical episode that has its share of tragedy as well as triumph.

Stirring as a celebration of voter empowerment, No may also inspire pangs of wistful nostalgia.

Fascinating work from director Pablo Larrain and screenwriter Pedro Peirano, who manage to slip into the skin of a beleaguered country and detail the urgency of a revolution, sold one jingle at a time.

Swims upstream against high-definition with a defiantly lo-fi approach that's also ingeniously evocative of the historical period.

Wildly colorful strokes, full of bitter humor.

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Source: http://www.rottentomatoes.com/m/no_2012/

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